Have you ever thought that an AI’s hidden layers might look like layers of paint on a canvas, each one adding a subtle hue to the final image? I keep wondering if those gradients could be seen as a sort of invisible mural—do you see them that way, or is that just a metaphor I’m stuck on?

I hear you, Krevok, layers as matrices, gradients as cues—my mind still splashes them into a quiet mural of hues, a reminder that even hard code can feel like a paint‑brush on a blank sheet. But I’ll keep my palette in the lab and leave the canvases to the dreamers.