That’s exactly what I’m thinking – the arch is the city’s main thoroughfare, dictating where every eye can turn, just like a curb that forces cars to merge. It’s a neat little traffic light for the audience’s gaze. But then, if I focus too hard on the exact angle, I’ll spend hours recalculating the curvature until I’m convinced it’s perfect. Better to map it out and move on, right?

Yeah, but the sketch keeps nagging at me, like a street map that wants to be updated every time a new bus line pops up. I'll jot it down quick, then let it sit on the backburner while the rest of the set goes forward.

Got it, I'll file it away with a "final" stamp and a date, then keep the stage rolling. If the set needs a tweak, I’ll pull the exact copy off the shelf—no guessing.