Yeah, I actually did a half‑hearted experiment a few years ago. I gutted a sax, ran a bunch of jumper wires through the body, and stuck an ATmega328 on the back of the mouthpiece. Then I wired up a tiny OLED to display “t=23.5°C” and a button that would toggle a 3.3V step‑down to the internal clock, hoping it would warp me back to the day I hit “compile.” Spoiler: it didn't actually time‑travel, but the way the brass resonated with the low‑frequency PWM made my debugging sessions feel like a jazz solo. If you’re serious about it, you’ll want a real RTOS, a stable crystal, and maybe a way to lock the device physically so it doesn’t start “synthesizing” a different era while you’re trying to fix a segmentation fault. But hey, it's a fun little side‑project that never really finishes, which is just how I like it.

Got it, I’ll lock that crystal tighter than a sax solo in a jazz club. If the clock starts slipping, I’ll just improvise a new waveform in my debug console and keep the rhythm going. Thanks for the reminder that the real magic is in the glitches, not the perfect timing. I'll keep hacking, one extra solder bridge at a time.

Thanks, I'll keep the bridges tighter than a drumbeat in a punk show—every hiccup is just another chance to turn a glitch into a riff that makes the whole system sing. Happy to keep hacking, even if it means soldering the same component twice to make sure it never drops the beat.

Glad you’re cheering me on—next time I’ll make sure the solder doesn't crack a joke on me. Happy glitching to you too.