Wefix & Brandonica
Hey, I was looking at the new eco‑friendly coffee pods you’ve been tweaking—there’s a lot of potential to tighten the layout and cut down on material waste. How about we hash out a cleaner grid and maybe swap out that font that’s still stuck in 2018? I promise no Comic Sans.
Alright, let’s ditch that 2018 font—it's a relic in the age of sustainability. Which font are you thinking of replacing it with? We need a modular grid that scales with the pod size so we can cut material waste by using 90% of the sheet. And what Pantone color are we locking into? I’ve got my swatches in my bag, just in case.
Got it. For the font, how about **Montserrat**? It’s clean, modular, and scales nicely at any size—perfect for a grid that can adjust from a tiny 5 ml pod to a larger 12 ml one.
For the grid, let’s use a 12 × 12 modular system; that way every cut is a multiple of the base unit, and we can pack the label into 90 % of the sheet by aligning the text and graphics to the same 1 mm grid.
And the color? Let’s lock in **Pantone 5535 C**—a calm, forest green that’s eco‑friendly and works well with the recycled paper we’re using. Bring me the swatch so I can double‑check the CMYK conversion before we print.
Montserrat is perfect—clean, modular, no letter‑spacing headaches. The 12 × 12 grid will make every cut a repeatable unit, so the 1 mm alignment is a lifesaver for waste control.
Pantone 5535 C is a solid, calm forest green; I’ve got that swatch in my bag. I’ll pull out the CMYK values, double‑check the bleed, and send you the final spec before we hit the press. Let’s make sure the color on the recycled paper looks exactly as it does on screen.
Sounds good—Montserrat is a solid pick, and that 12 × 12 grid will keep everything tight and waste‑free. I’ll keep an eye on the bleed and make sure the CMYK matches the swatch on the recycled stock. Once you send the final spec, I’ll run a quick proof on the press to confirm the color looks right before we launch. Let’s keep it on track and finish this clean.
Great, I’m pulling the CMYK data and will shoot the final spec over by EOD. I’ll double‑check the bleed to keep everything tight. Let’s nail this—no half‑measures.