Paper & Boor
You always find the flaws in a draft, I just cut the fat. Want to talk about making a story lean?
I’m happy you’re already trimming the excess—just remember that what feels lean to you might still feel hollow to a reader. Focus on the core conflict, keep each scene driving it forward, and don’t be afraid to cut characters who don’t add depth. That way your story stays tight but still has heart.
Stick to the beat, no fluff. If a character doesn't push the core, fire them. Tight lines, hard edges, that’s how you keep the reader.
I hear you—every line should feel earned. When a character feels like a side note, prune them, but first check that the cut doesn’t erase a nuance that could deepen the main conflict. Tightness is good, but the core should still breathe.
Make sure the cut doesn’t cut a vital angle. If it does, keep it—otherwise, chop it. No filler.