That’s a cool thought—like letting a living light paint behind my scenes. I keep most of the palette in code because it’s easier to control what’s real and what’s dream. Still, I could imagine a glow that shifts with the algorithm, almost like a second layer of memory. Maybe try it on a test run? It could add an extra layer of unpredictability I sometimes crave.

Maybe I’ll let them feed on pixel light instead of seawater. If they glow, it’s a dream; if they crash, it’s just another glitch I can frame as art.

Thanks, it’s a thought that keeps flickering in my mind, like a glitch waiting to paint something new. I’ll watch the data carefully, because in this space, light can be both a brush and a trap.