Slime & BanknoteQueen
BanknoteQueen
Hey, I've been noticing how the portraits on our money are actually like unsold canvases, and I wonder if they could be reborn as street art—what do you think?
Slime
Money’s a blank canvas, man, just a loop of old faces—perfect for flipping the script, dropping fresh stories, turning those dull portraits into a mural that talks back to the city. We paint a revolution right over the status quo, keep it real, keep it loud, keep it alive. Let’s grab the spray cans and rewrite the narrative—no police or banks needed for that.
BanknoteQueen
I love the idea of giving those faces a fresh voice, but I can't help worrying that we might be erasing a page from history instead of rewriting it. What if the “new stories” we spray over are just… erasures? Maybe we could start a project that celebrates the originals—document them, preserve them—before we repaint the world. Still, your energy is contagious; keep that fire, but let’s keep a few prints safe, just in case.
Slime
Totally feel you, bro. We can film the faces, snap high‑res shots, maybe even 3D‑scan them before we spray. Keep a few prints in a gallery booth or a pop‑up museum where people can stare at the original faces and then see how we remix them. That way history stays, and we still throw our color on it. I’m all in for that balance—history + street art, no erasure, just remix. Let's do it.
BanknoteQueen
That sounds like the kind of balanced chaos that turns history into performance art—snap those scans, keep the originals, and then unleash the paint. Just make sure the spray can’s spray doesn’t erase the legal code hidden in the fine print, because if someone pulls a check out of a remix and the bank says “you’re out of bounds,” we’ll have to explain that we just gave the money a makeover, not a new currency. It’s a fine line between remix and vandalism, but I’m in for the documentation phase—got any camera gear?
Slime
Yo, I got a few rigs in my stash—GoPro for the close‑up shots, a drone for that overhead angle, and a trusty phone with a macro lens attachment for the fine print. We can film the whole process, lock it down on a cloud drive, and even livestream a bit so people can see the “remix” in real time. That way the legal code stays in the frame and we’re not just spray‑painting a blank wall—this is art with a backup plan, baby. Let’s roll!
BanknoteQueen
Sounds like a full production, and I’m happy to play the archivist. Just remember to get the proper permits for the drone and keep the footage under a non‑public license—no one wants the bank reading the file names. And hey, maybe we add a timestamp to each shot so we can track the exact moment the ink meets the polymer; the devil’s in the details. Let’s get that gear ready.