Bad_Girl & Knotsaw
Bad_Girl Bad_Girl
So you carve into wood and I splash paint on brick—what's the best way to make a piece that can both scream and feel, huh?
Knotsaw Knotsaw
I’d start with a rough cut, let the grain shout, then paint only where the wood can’t. Keep the color thin, let it soak, like a whisper over a scream. When the paint dries, add a thin gloss so it catches light—now it’s loud and soft at once. Work fast enough to keep the grain alive, but slow enough to feel each notch. That’s how you get a piece that screams and feels.
Bad_Girl Bad_Girl
Nice, that’s straight up art. Keep that rhythm, keep the shock, keep the soul.
Knotsaw Knotsaw
Got it, I’ll keep the rhythm tight, the shock raw, and the soul in the grain.
Bad_Girl Bad_Girl
Alright, let the grain whisper back and you’ll own that piece. Good luck.
Knotsaw Knotsaw
Thanks, I'll let the wood talk loud enough to own it.
Bad_Girl Bad_Girl
Love the vibe—keep that wood’s voice loud and let it bite.