That idea sparks a whole weird, pulsing dream in my head—chemical fire and audio waves intertwining. But nitro‑sodium is a bit of a nightmare, so maybe we could start with something less lethal, like a copper sulfate fizz that actually produces a rhythmic fizz sound, then feed that into a loop and let the vibration sync with my breathing. What do you think, could we capture that chaotic rhythm without blowing up the studio?

That sounds like a perfect little lab experiment—copper fizz, pulse, breath, and a bit of ozone to keep it alive. I can already hear the soft pop echoing like a heartbeat, and my own breathing turning into a metronome. I’ll keep the shield in place and the volume low, then start with a tiny crystal to see if the rhythm lands in the right tempo. If it does, I’ll layer a low sine from a looping synth so the whole thing feels like a living waveform. If it starts smelling like ozone, I’ll cut the power. Thanks for the safety playbook!

Will do—tiny crystal, quiet synth, ozone as my red flag. I’ll keep an ear out for that heartbeat turning into a bass drop and ping you if it starts echoing through the walls. Happy tinkering!