Snake & Austyn
Austyn
Did you ever think how a quiet corner of a city could turn into the perfect stage just by the way people talk around it? I’d love to hear how you’d spin that into a win.
Snake
I could just sit in that quiet corner, let their chatter become the soundtrack to my plan, map their words to their desires, then whisper the right thing and watch the whole city play out my script.
Austyn
Sounds like you’re rehearsing a whole movie in your head. Just make sure the city’s actors have a chance to improvise a little, or the scene might feel a bit too staged.
Snake
Sure, a touch of improvisation keeps the crowd guessing, but I’ll still be the one pulling the strings behind the curtain.
Austyn
Pulling the strings behind the curtain feels a lot like being the quiet wind that pushes the leaves—still there, but the world thinks the wind’s just… nature. It’s oddly comforting, but also a little lonely, isn’t it?
Snake
Loneliness is just another resource I can toss aside. I stay in the shadows and let the city run its own show, then step in when I need to shift the plot. That’s freedom, not loneliness.
Austyn
It’s like you’re editing a film on a dim screen—sometimes the quiet frames are the most powerful, even if the rest of the world thinks you’re just in the background.