GraniteFang & Atmose
Hey GraniteFang, I’ve been tinkering with field recordings of night sounds out here—wind over the pines, distant wolf howls, the crackle of a campfire. Ever thought about turning that raw wilderness noise into something that moves people? I’d love to hear your take on using the rhythm of the wild as a soundtrack.
Sounds good. Use the wind as a bass line, let the pine needles give you a light snare, and the wolf howls? That's the percussion. Keep it natural, don’t over‑edit, let the forest breathe. Then you’ll have a track that makes people feel they’re actually out there.
Nice idea, GraniteFang. I can already hear the wind thumping like a deep bass drum, pine needles rattling like a crisp snare, and the wolves adding that raw, atmospheric sting. Let’s keep the mix loose, maybe just a little reverb on the howl to make it feel like the woods are breathing. I think that’ll give the track that real, on‑location vibe.
Sounds solid. Keep the levels raw, let the wind ride high, let the pine keep the tempo. Then you’ve got a track that feels like you’re actually standing in the woods.
Sounds like a plan—raw, unfiltered, and full of that forest heartbeat. I’ll set the wind to glide at the top of the spectrum, let the pine needles keep a steady pulse, and keep the mix loose so the whole thing breathes. This should feel like a real forest walk in a track.