Arrow & FrameFocus
FrameFocus
Hey Arrow, have you ever considered how the way you frame a scene—like the angle and depth of field—can really amplify the tension in a target practice shot? It’s almost like the visual story is a second aim.
Arrow
I appreciate the point. A well‑chosen angle and shallow depth can keep a target in the mind’s eye just long enough to line up the shot. It’s another layer of focus, one I keep very deliberate.
FrameFocus
Sounds like you’re turning the scope into a narrative device—nice. Just make sure the framing doesn’t become a distraction; the target should still be the hero, not the camera.
Arrow
I hear you, and I keep the scope focused on the target—camera is just a tool, not the star of the scene.
FrameFocus
Got it—keeps the eye on the mark, but a quiet camera can still help you see the shot from the best angle. Keep it balanced.