I think a chair can be a miniature cosmos if you look for the patterns in the grain, the way the knots run. Each cut is a decision, a small act of order, and the finished seat is the result of aligning that order with purpose. When you see a chair, you see the history of wood and the craft, all folded into a single shape that supports you in the world. The truth is that a well‑made chair reminds you that even in simple things there is a hidden geometry that guides us.