I’d start with something like Jane Austen’s “Pride and Prejudice.” The plot isn’t a straight line; the tension rises through a series of misunderstandings, and the climax feels like a quiet revelation rather than a bombastic showdown. Or maybe Charles Dickens’ “Great Expectations.” The story is told in flashbacks and dreams, so the “conflict” is more internal than external. If you want a truly unconventional arc, look at Virginia Woolf’s “To the Lighthouse.” The narrative leaps in time and perspective, turning the resolution into a quiet, almost unspoken conclusion. All of these could inspire a game where the player feels the shift in narrative voice and discovers that endings aren’t always neat.