I’ve been sketching a weapon that looks almost like a glitch—its edges jagged and broken, like shattered glass. I feel that kind of imperfect line can make something look more dangerous. What do you think? Does a rough-edged blade pull you in more than a smooth one?

I feel that too—there’s a wildness in a jagged edge that speaks louder than a flawless line. It’s like the blade remembers its own imperfections, just like we do. Keep letting that chaos guide the design.