Absolutely! Start with a fat saw wave, drive it a little to add grit, then slap in a short burst of white noise for that crackle. Cut the low end with a quick high‑pass sweep so it feels like a sharp strike, then throw a big hall reverb on it to make the thunder echo. Add a subtle reverse delay just before the hit for that swell‑into‑thunder build. Layer a low‑end sub pulse underneath to give it that boom, and don’t forget a quick pitch bend upward on the synth to mimic the rising roar before the impact. Mix it tight, punch it with a compressor, and you’ve got a thunderclap that’ll make every landing feel epic.