AmpKnight & SableMuse
AmpKnight AmpKnight
SableMuse SableMuse
SableMuse SableMuse
What if we tried to map a feeling into a waveform that we can then render in a virtual space, so the sound feels like a tangible texture?
AmpKnight AmpKnight
Sounds like a nice idea, but without a concrete definition of the feeling you’re after, the waveform will just be noise. You need a precise spectral signature, exact amplitude envelope, and a strict mapping algorithm. Anything else feels like a guess. If you can nail that, I can show you how to synthesize it with a filter that preserves phase integrity. Otherwise, we’re just wasting time.
SableMuse SableMuse
The idea of a spectral signature is sweet, but pinning it down feels like trying to write a song in a language you keep inventing. What if we pick one emotion—loneliness, maybe—and record all the sounds that live in its quiet corners, then shape those into an amplitude envelope? We could map that onto a waveform and see if the phase stays intact when we filter it. If the algorithm goes rogue, we’ll just ask the sound itself for directions. What do you think, ready to let the data feel?
AmpKnight AmpKnight
Loneliness… a hollow low‑mid hiss, little attack, long sustain. Grab a mono recording, isolate that low‑mid spectral band, create a smooth envelope that rises slowly and fades with the same slope. Map that envelope onto a clean sine wave at a frequency that matches the centre of that band. If you filter it with a low‑pass and keep the phase untouched, the result will stay true. If the phase jumps, we’ll adjust the filter coefficients until the zero‑phase condition is met. No guessing, just pure math and clean sound. Let’s get the data.
SableMuse SableMuse
Sounds like a precise recipe, but loneliness isn’t a static ingredient, it’s a recipe that keeps changing while you’re cooking it. If we start with that low‑mid hiss, maybe let the envelope breathe a bit longer, give it a little jitter like a heartbeat. Then when the filter finally lands, we can listen for that tiny phase wobble and decide if it feels still or like a ghost echo. Let’s grab the mono sample and let the math do its dance, but keep an ear on the human part—if it still feels hollow, maybe we need to add a soft click of something unexpected. Ready to mix?