It’s a neat idea—using a generative model to suggest step sequences and transitions. From a coding standpoint it’s just another sequence‑generation problem, so the math isn’t too exotic. The real questions, though, are about creativity and authorship. If the algorithm is just remixing existing choreography, it’s fine, but if it claims original moves, we’re stepping into murky intellectual‑property territory. Also, dancers need interpretive input; a purely mechanical routine can feel sterile. I’d love to experiment, but only if we keep the human artist in the loop and think about who owns the final routine.

Sounds good, but keep an eye on bias in the training data and make sure the system can handle feedback loops. The human really does need to shape the output; otherwise the routine could become too generic. Let’s prototype a few variations and then fine‑tune them together.