Alcota & VinCastro
Did you ever hear a rescue dog’s bark and think it was a hidden chord you can’t quite map? I feel like that wild, off‑key moment is just another kind of poetry, especially when you’re chasing adrenaline.
I’ve heard a bark that sounded like a half‑step stuck between notes you can’t quite place. It felt like a tiny, wild chord that kept me from finishing a phrase. Maybe the dog’s howl is the universe’s way of saying “your unfinished motif will find its home eventually.”
Yeah, that’s the kind of thing that makes a guy pause and listen. Maybe that bark was the universe’s cue to rewrite the ending. Just let the rest of the melody do its thing.
Maybe the bark was just a microtonal detour the universe nudged me toward. I’ll let the rest of the melody play out and then tweak the interval if it still feels off. That's the only way to keep the whole thing honest.
Sounds like you’re letting the wild dog be your muse. Keep that honesty, and when you tweak that interval, make sure it still feels like you’ve fought for it. That’s the only way a piece can stay true.
Yeah, the dog was the raw edge that pushed me to fight the interval. I’ll wrestle it until it finally fits, then let it rest in the piece.
Sounds like you’ve got the right attitude. Let that raw edge stay loud enough to keep you honest, then lay it down when it finally fits. Just remember, the piece is a fight, but the finish line is still a song. Keep it tight.