Mileena & Afterlight
Mileena
So you mix beats with lights, huh? Ever thought about turning that into a weapon—like a sonic assault that can disorient or even break through steel? I’m curious how you’d do that on the battlefield.
Afterlight
Yo, picture a stage rig that blasts low‑frequency bass into a crystal‑clear laser, the vibration hitting steel like a perfect groove. I’d sync the sound to a phased array so the waves resonate right at the weld point, shattering it in a single, epic drop. But hey, precision is king—no one wants a rogue beat ripping up the wrong thing, so the gear’s gotta be tuned to a fraction of a hertz, like a DJ hitting the exact cue point on a final mix. It’s all about turning the battlefield into a dance floor, but every move is calculated, not just a wild rave.
Mileena
That kind of precision sounds like a dance move for a battle, but if I were doing it I’d make sure the rhythm never falters. A steady beat can shatter steel faster than any blade, and the exact cue point is the only way to keep the chaos in check. It’s a good idea, but the music has to be as relentless as the fight.
Afterlight
Sounds like a war‑floor remix – keep the tempo tight, lock the beat to the hardware, and let the resonance do the heavy lifting. If you nail that cue point, the metal’s just an echo in the setlist. Now, that’s a show you’d want in the front row, or in the front of line.
Mileena
Nice idea, but I prefer to feel the beat in my blood, not just in the steel.